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  BUZZCUTS.

Since 1997 Buzzcuts has been training young writers and broadcasters in critical arts reviewing. The program is supported by the Melbourne Fringe Festival, 3RRR FM, 90.7 SYN FM, Beat Magazine and RMIT.

Throughout the 2009 Melbourne Fringe Festival (23rd September- 11th October) almost 60 young writers and radio journalists will be attending events and producing reviews that will published here on the Buzzcuts website as well as in Beat Magazine and broadcast in the mornings on 102.7 3RRR FM and 90.7 SYN FM.

You can also keep up to date with Buzzcuts reviews during the Fringe by following us on Twitter (https://twitter.com/Buzz_Cuts) and becoming a fan on Facebook.

Please note that the views and ideas expressed in Buzzcuts are not necessarily those held by Express Media or its 2009 program partners.

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Everything will be OK
Regan Brantley | Sunday Sep 27th, 2009 | 1 comment

In Everything Will Be Okay Sayraphim Lothian joins Robert Reid to perform a sixty minute show of tabletop puppetry. The performance is the surreal conception of Reid, artistic director of Melbourne’s Theatre in Decay.

As I entered the theatre for the performance, the usher advised that I should, “Listen with my eyes, and see with my ears.” I’m still not exactly sure what that means, however I can say that the visual experience of the show is very pleasing. An interesting combination of pre-recorded voiceovers, Thom Yorke style sounds, numerous kitsch props and meticulous timing, Everything Will Be Okay is a unique and engaging production.

While the visual aspects of the show are superb, the story itself is somewhat difficult. The plot follows an expatriate Australian named Doug who lands in Peru where he joins a political revolutionary group. While Doug struggles to understand the existential type dilemmas his life is full of, his girlfriend is humorously psychoanalyzed by a fat cat in sunglasses. Fractured narrative is tricky in film and literature, and even more so in theatre where the audience needs significant markers to follow the story. Reid acknowledges this fact and does attempt to give a sense to the disjunction; however I still found myself confused at times.

The show is however very funny, poking fun at Kevin Rudd and various pop culture phenomena. The size of the audience and proximity to the puppets makes for an intimate setting where you feel performed to rather than performed at. At the end of the hour I came away thinking that Everything Will Be Okay is unlike anything else you’re likely to catch at this year’s Fringe.

link: Everything will be OK details

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Posted by Edmund Periwinkle

Excellent Review! Bravo!